Learn Wonderwall by Oasis on Drums: Master the Main Groove and Fills

Have you ever tried to play Wonderwall on drums and thought, ‘This sounds nothing like the record!’? Don’t worry, you’re not alone. This iconic track may seem simple at first, but nailing that signature groove can be trickier than you’d expect.

Many beginner drummers find themselves puzzled when tackling this ’90s anthem. The rhythm might sound straightforward, but there’s more going on than meets the ear. So, how do you capture that unmistakable feel that’s had crowds swaying for decades? By now, you should have somehow realized what you gotta do: Dig in and break down the drum part step by step, revealing the techniques that give Wonderwall its distinctive sound.

Getting Started

Tempo

First things first – let’s talk tempo. “Wonderwall” cruises at a comfortable 87 BPM. This mid-tempo groove allows for a relaxed feel.

Song Structure

Noel Gallagher kept things relatively straightforward when he penned this in 1995. Unlike some rock epics with complex arrangements, “Wonderwall” follows a more radio-friendly structure, albeit with some quirks:

Wonderwall by Oasis - Song Structure

This visual guide will help you navigate the song as we break down each section.

Why Do Drums on Wonderwall Sound So Unique?

One reason the Wonderwall drum sound might seem different is the use of hot rods. Hot rods are a type of drumstick that produces a unique sound. They are made by bundling together several wooden dowels or rods, which creates a more spread-out, less defined sound compared to traditional drumsticks. The use of hot rods contributes to the song’s distinctive, laid-back feel.

Basic Beat

The majority of Intro, Verse, Pre-Chorus and Chorus all use some variant of the basic beat. The basic beat is not the most straight forward beginners’ beat, but see if you can practice it that way.

Open In Beat Note!

Oasis - Wonderwall - Basic Beat

This is the basic beat for Wonderwall. There are straight 8th notes on the ride. Pay attention to the snare on the a-of-2 and the a-of-4. These are what makes this beat so recognizable.

If this beat is too challenging, don’t worry. The simplified beginner version should be manageable even for new drummers. Start by playing this groove throughout the song. And if you’re looking for other songs suitable for beginners, check out our Beginner-Friendly Drumming Songs post.

Open In Beat Note!

Oasis - Wonderwall - Basic Beat (Beginners)

This is the most basic beat for Wonderwall. Straight 8th notes on the ride. Kick on 1 and the and-of-1, as well as 3 and the and-of-3. Snare on 2 and 4.

Drum Pattern Refinements

It’s The Diddle That Makes Wonderwall

Once you have the basic beat down, let’s add that iconic diddle at the beginning of the beat. It’s a small detail but gives “Wonderwall” its distinctive groove. Alan White sprinkles it in wherever it seems fitting. There is no discernible pattern; sometimes, it’s repeated every measure, sometimes, every few measures. It’s often played before the two kick drum hits:

Open In Beat Note!

Oasis - Wonderwall - Beat with Diddle

Add the diddle either on the a-of-4 right before the next measure starts, or on the a-of-2. Again, there’s no set pattern. Experiment adding it whenever it feels right.

If you’re not used to seeing diddles in drum notation, we have a Guide to Drum Notation that goes through all the drum notation you’ll need to read these beats, including Ghost Notes, which we’ll cover next:

Ghost Notes

To add some finesse to your playing, let’s introduce ghost notes on the snare between the bass drum hits at the beginning of the measure. These subtle hits add depth to the groove without overpowering the main beat. Alan Watts uses them almost consistently, so I’d add them in for each measure.

Open In Beat Note!

Oasis - Wonderwall - Beat with Ghost Notes

Play the ghost note on the Snare on each e-of-1.

Drum Fills

“Wonderwall” doesn’t call for flashy fills. But practicing one straightforward one will elevate your playing significantly. It’s worth practicing it, as it uses simple linear R L R L sticking and only involves the Snare and High Tom, making it the perfect beginner fill.

Open In Beat Note!

Oasis - Wonderwall - Simple Fill

The beginning of the measure is our usual pattern. The fill really starts on the a-of-3 with a diddle. If playing diddles is too hard, just play a normal snare hit. The last note are sixteenth played Snare - Snare - Tom - Snare with alternating strokes, giving the fill this particular Wonderwall feel.

Wonderwall Song Sections

Intro and Verse

The first 46 seconds of the song are easy. Just hang back and do nothing! The drum part of the intro kicks in after 8 measures intro and the first 8 measures of the first verse with a fill:

Open In Beat Note!

Oasis - Wonderwall - Intro Fill

The intro enters with a fill that consists of a flam on beat 4 followed by a double on snare. End the fill with a crash on the 1 of the new measure. The drum pattern slightly deviates from the normal but you can just proceed with the basic fill pattern we looked at above.

Pre-Chorus

The Pre-Chorus is arguably the hardest part of the song, for a few reasons: One, Alan White deviates from his usual pattern and shifts around the backbeat at times. Two, there is this measure playing along the line “There are many things that I would like to say to you…” where the Crash accents the words like - say - you - don’t on the quarter notes. And third, the final fill is a whole measure long rather than the usual short quarter note fill. Let’s look at it the way it’s played on the recording:

Open In Beat Note!

Oasis - Wonderwall - Prechorus

The last three measures make this pre-chorus harder. Note the crash on every note in measure 6, the shifted backbeat in measure 7 and the fill in the last measure.

We can simplify this pre-chorus without deviating too much from the feel of the original playing:

Open In Beat Note!

Oasis - Wonderwall - Prechorus Simplified

We play the usual pattern in measures 1, 2, 3, 5, and 7. The fill in measure 4 is simplified, as is the one in the last measure. Try and keep the crashes to accentuate the words in measure 6.

Chorus

The most confusing part of the song is the pause at the end of the first chorus. If you’ve been counting 1-2-3-4, all of a sudden you’ll feel that the counting is off. That’s because there are two extra beats inserted, which we’ll notate as a measure in 2/4 time. Here are the last six measures of the chorus including this odd pause:

Open In Beat Note!

Wonderwall's Drum Break: Chorus 1 Ending

The second measure has a slightly different feel because of the double stroke on the and-of-2. Notice how after the measure in 2/4 time there’s a crash, followed by a one measure pause. The iconic fill kicks in at the and-of-1 in the last measure to launch the second verse.

Outro

Just like the chorus before, the outro is really just a bunch of variations of the drum fill and the basic drum pattern. It ends with a simple fill two and a half beats long:

Open In Beat Note!

Oasis - Wonderwall - Outro Fill

The outro fill follows the basic beat pattern with a linear fill on Snare and High Tom.

Drum Pattern Variations: Adding Complexity to Your Playing

With the beat patterns so far, you should be able to play the song from start to finish. If you listen to Alan White’s playing, however, you find that he barely sticks to the basic beat pattern; instead, he improvises his playing, which makes the drumming sound so endearingly dynamic. I’ll list a few variations of the main pattern. Use this as inspiration to switch things up.

Open In Beat Note!

Oasis - Wonderwall - Beat Variation 1

This beat omits the bass drum on 3 and instead plays the snare on the and-of-2 turning it briefly into a simple syncopated snare beat. This is used in the original Pre-Chorus that we covered above.

Open In Beat Note!

Oasis - Wonderwall - Beat Variation 2

This beat expands this idea of the syncopated snare through the end of the measure.

Open In Beat Note!

Oasis - Wonderwall - Fill Variation

Alan clearly loves his diddles. The a-of-2 here switches out the Snare for the High Tom compared to the variations before. In addition you play the usual fill but with diddles on the a-of-3, e-of-4 and a-of-4

Practice Tips

Use a Metronome

You should be able to play the usual bear pretty quickly. Set your metronome to 70 BPM and gradually increase the tempo as you get comfortable. Consistency is key with “Wonderwall” – it’s all about the groove.

For the fills and variations, take it one at a time. Especially some of the more complex fills will require you to start even slower. I’d recommend you play three measures of the regular beat and finish with one of the fills or variations when practicing. Raise the tempo slowly, and you should soon be able to add these fills and variations.

Serve the Song

“Wonderwall” isn’t about flashy drumming – it’s about creating a solid foundation for one of the most iconic songs in British rock history. Focus on maintaining a steady groove and serving the song. As you practice, you’ll find that the real challenge (and joy) of “Wonderwall” is its subtlety and consistency.

If you play with a band without the original track in the background, your bandmates will more likely compliment your steady rhythm than any complex variation.

In that spirit, keep on rocking!


  • Tell us what you love about BEAT NOTE or what else you'd like to see!
  • feedback (at) beat-note (dot) app